കാണി ഫിലിം സൊസൈറ്റിയുടെ ആഭിമുഖ്യത്തില്‍ 2011 നവംബര്‍ 25,26,27 തിയ്യതികളിലായി മൂന്നു ദിവസത്തെ ചലച്ചിത്രോത്സവം ചങ്ങരംകുളത്ത് വെച്ച് നടക്കുകയാണ് . കേരള ചലച്ചിത്ര അക്കാദമി, ഫിലിം സൊസൈറ്റീസ് ഫെഡറേഷന്‍, തദ്ദേശ ഭരണ സ്ഥാപനങ്ങള്‍, ക്ലബുകള്‍ എന്നിവയുടെ സഹകരണത്തോടെയാണ് ചലച്ചിത്രോത്സവം സംഘടിപ്പിക്കുന്നത്.ചങ്ങരംകുളം കൃഷ്ണാ മൂവീസിലാണ് പ്രദര്‍ശനം.പ്രദര്‍ശനങ്ങള്‍ 25ന് കാലത്ത് 9.30 മുതല്‍ ആരംഭിക്കും.ചലച്ചിത്രോത്സവത്തിന്റെ ഔപചാരികമായ ഉദ്ഘാടനം മന്ത്രി ശ്രീ.എ.പി.അനില്‍ കുമാര്‍ 25ന് വൈകുന്നേരം 4.00 മണിക്ക് നിര്‍വഹിക്കും.
വിവിധ സമ്മേളനങ്ങളില്‍ സര്‍വ്വശ്രീ.പി.ശ്രീരാമകൃഷ്ണന്‍ എം.എല്‍.എ,ഡോ.കെ.ടി.ജലീല്‍ എം.എല്‍.എ,ജില്ലാ പഞ്ചായത് പ്രസിഡന്റ് ശ്രീമതി സുഹറ മമ്പാട്,പി.ടി കുഞ്ഞു മുഹമ്മദ്,വി.കെ ശ്രീരാമന്‍,ആലങ്കോട് ലീലാകൃഷ്ണന്‍എം.സി.രാജനാരായണന്‍,കുഞ്ഞിക്കണ്ണന്‍ വാണിമേല്‍,കെ.എ.മോഹന്‍‌ദാസ്,പ്രേം ലാല്‍ എന്നിവരും പങ്കെടുക്കും.
മൂന്നു ദിവസത്തെ ചലച്ചിത്രോത്സവത്തില്‍ മലയാള സിനിമ, ഇന്ത്യന്‍ സിനിമ, ലോക സിനിമ വിഭാഗങ്ങളിലായി മൊത്തം 25 ചിത്രങ്ങള്‍ പ്രദര്‍ശിപ്പിക്കും ( വിശദ വിവരങ്ങള്‍ ഇതോടൊന്നിച്ചുണ്ട്).
Kesu/mal/74/Dir.Sivan Keshu lost his ability
to talk and hear along with his mother when he was born. He
was raised by his
mater- nal uncle. Being quite mischievous, there was never ending complaints
from the villagers. His uncle had no choice but to punish him, but to no avail.
The only per- son who Keshu could reach out to was his distant rela- tive and
the maid of the house, Devu. This was the time when Shalini, a teacher
transferred to that village stared living with the family. Keshu did not spare
her too from his mischief, but she did not complain to anyone, and instead
started liking him. He reciprocated the affection shown to him and there was a
gradual change in his behaviour. She encouraged him to take up drawing and even
convinced his uncle to put him in a special school. When he wins an
international award for his painting, 'The elephant and the Mahout', he becomes
the darling of the whole village
Following the accidental
death of their grandfather, Jairo and Marina decide to take a trip to recover
the land from which they were displaced long ago. Jairo, a roving photographer
and Marina, who has lost her memory and is mute, are cousins. Their travel in a
beaten up old Renault that takes them from Bogota to the place on the coast
where they were outcastes so many years ago. Each day they spend on their
journey, they find themselves more and more haunted by their traumatic past. As
soon as they arrive in their hometown, they are abducted by armed assailants.
Jairo is injured while trying to escape. When Marina sees the ruins of her
parents' house, she begins to remember the massacre that claimed the lives of
her family. In the end, she receives the deed to the family home, but Jairo
endangers Marina's life, and she has no option but to continue to fight the
ghosts of the past. Zephyr/ Turkey/100min/Dir. Belma
Bas
Standing on a hilltop in
the Turkish countryside, you would assume 11-year-old Zephyr is staring boldly
at the future; in fact, all she cares about is the past. Indifferent to the
immense beauty that surrounds her, Zephyr’s thoughts are punctuated by
departures.
Her mother, Ay, a globetrotting
activist, has carved deep holes in her daughter’s emotional stability owing to
her frequent absences. Left to the care of her stoic grandparents, Zephyr
struggles with an unremitting sense of loss. With no father, and starved
increasingly of her mother’s attention, she is stuck in pre-teen limbo,
apprehensive of womanhood and unsure of her fledgling identity. At times,
Zephyr seems willfully unfeeling. Friendships are shied away from and responsibilities
shirked; she is constantly impressionable and plagued by insecurity. The only
thing that comes full circle in Zephyr’s rickety world is the procession of day
into night, imbuing this haunting film with a quietly hypnotic rhythm.
Will her mother ever show up?
Zephyr is devastated by a false alarm, a young horticulturalist she sees at a
distance. Unable to deal with the reality of her longing, Zephyr finds refuge
in a sequence of dreams. She conjures images of her mother as smiling and
supportive, but the audience sees something starker, an unsettling projection
of a child’s loneliness. Sadly, Zephyr’s vision remains chimerical, until one
day something happens….
Building on a coming-of-age
story, director Belma Bas chooses the perfect moment to lift the lid on
Zephyr’s psyche. What follows is both gripping and unexpected. Zephyr’s failure
to develop any adult emotions, including the capacity for guilt, means there is
no telling what she might do. Far more complex than its simple structure
suggests, "Zephyr" is a mesmerizing mood piece that captures the
inner life of a troubled child.
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